Turbulence


Aman Sen is smart, young, ambitious and going nowhere. He thinks this is because he doesn’t have the right connections – but then he gets on a plane from London to Delhi and discovers, a few days later, that he has turned into a communications demigod, able to control and manipulate all networks, including the internet. And he’s not the only one with a secret.

Everyone on Aman’s flight now has extraordinary abilities corresponding to their innermost desires. Vir, an Indian Air Force pilot, can now fly. Uzma, a British-Pakistani aspiring Bollywood actress, now possesses infinite charisma. Tia, a housewife from the troubled Indian north-east, can now live out all the lives she dreamt of by splitting into multiple bodies. And these are just the nice ones. Terrible new forces have been unleashed. Businessmen, politicians, criminals, each with their own agenda. One of these is Jai, an indestructible one-man army with an old-fashioned goal – military conquest of the world. And there’s another, even more sinister force at work. A mind capable of manipulating mobs, of driving humans and superhumans into an all-destroying frenzy.

Aman and his rag-tag collective of superhumans find themselves in grave danger in a part of the world that needs radical change much more than it needs protection. They must decide what to do with their powers and their lives – and quickly. Aman dreams of uniting their powers to fight the world’s real villains – faceless, amorphous corporations, corrupt government officials, religious fanatics. Of ensuring that their new powers aren’t wasted on costumed crime-fighting, celebrity endorsements, or reality television. He wants to help those who need it most – untold millions without food, power, schools or voices. He intends to heal the planet. Save the world. But with each step he takes, he finds helping some means harming others, playing with lives, making huge, potentially disastrous decisions. Will they actually make the world better or will it all end, as 80 years of superhero fiction suggest, in a meaningless, explosive slugfest?

TURBULENCE is an hyper-real novel set in an over-the-top world. It features the 21st-century Indian subcontinent in all its insane glory – F-16s, Bollywood, radical religious parties, nuclear plants, cricket, terrorists, luxury resorts, crazy TV shows – but is essentially about two very human questions.

How would you feel if you actually got what you wanted?

What would you do if you were given the power to change the world?

‘For wicked wit, for post-modern superheroics, for sheer verbal energy and dazzle, Samit Basu doesn’t so much push the envelope as fold it into an n-dimensional hyper-envelope, address it to your hind-brain and mail it with a rail gun.’- Mike Carey (X-men, Lucifer, the Felix Castor series)

‘You’ll laugh, you’ll cry, you’ll gasp and you will demand a sequel.’- Ben Aaronovitch (Doctor Who, Rivers of London)

This is the paperback cover, designed by Peter Cotton. Many thanks to Priya at Hachette for adding production effects. It looks really good in book form.

There’s also a limited edition hardback, with an extra section that reveals more about a few characters. This is the cover, the image is by that formidable world-famous artist duo Sarnath Banerjee and Bani Abidi. Remember to play spot-the-difference with the back cover if you pick this up.

The Facebook  page is here.

For preorders, visit Indiaplaza here or Flipkart (paperback and hardback)

Links to events pages coming up soon.

For review copies/events/RSVPs, contact Anurima Roy anurima.roy@hachetteindia.com

World SF interview

Here.

Thanks Charles A. Tan and Lavie Tidhar for doing this.

Update

Because fungus was growing on this blog. Again.

So. About a month to go to Turbulence. Proofs are done. Covers are in. There’s going to be a limited edition hardback, with an extra section ( a cluster of very short stories set in the world of the novel, with the few compulsory drastic reveals) with cover artwork by that noble pair, Sarnath Banerjee and Bani Abidi. The paperback cover is by Peter Cotton, a most splendid cover designer from the UK and probably not the author of Practical Gastrointestinal Endoscopy, which is one of the early Google results for his name. Both Turbulence covers feature some very nice and incredibly kind things said by two writers I admire greatly, Mike Carey (about whom I have burbled enthusiastically and fanboyishly several times before on this blog) and Ben Aaronovitch (Doctor Who fans will be familiar with his name – and his first novel, Rivers of London, is superfantastic and will be out early next year). Thanks again, gentlemen.

My to-do list is still far from empty at this point – I’ve been working with The Tadpole Repertory (if  you’re in Delhi and like English theatre, or have been following the Hindu MetroPlus Theatre Awards you probably know them already) to make a bunch of very short films set in the world of the book. These should be out over the course of the next month as well.

There’s also going to be a trip to Sweden for the Sodra Teatern autumn festival, where I’ll be in a panel with that other noble pair, Zac O’Yeah and Anjum Hasan. Zac’s book is out soon from Hachette. If it is half as cool as his name, it will be very cool. Plus a couple of workshops and events and things. There’s also a film and a GN to write, but then, there always is.

Haven’t been doing much except proofs, cover design work and video edits since the Morningstar tour, which ended, alas, in illness and thus in  having to miss a bunch of cities I really wanted to go to. Touring is fun but crazy. It is a good thing I did not become a rockstar. Not that it was ever an option, but you know what I mean.

Morningstar events

Hello. I’ve just started the first leg of the Terror on the Titanic tour. The dates for the launches in Bangalore, Mysore and Calcutta are:

Bangalore: Reliance TimeOut bookstore, Cunningham road, 630 pm 13th July.

Update: Here’s a piece in DNA Bangalore about the tour and the book.

Further update. The Hindu (The cameo in Turbulence is actually Anurag Kashyap, not Basu, but I mumble like a champion so it’s not the reporter’s fault)

Mysore:  Sapna book house, Narayan Shastry road, 6 pm, 15th July

Calcutta: Starmark South City, 630 pm, 22nd July

Do come and encourage fellow eccentrics to do the same.

Further update: Quick review from the mighty Jai Arjun Singh, posted on his blog, from his column in the Sunday Guardian.

We the Tweeple

Was on an NDTV show, We the People, a couple of weeks ago. It was about Twitter. Much fun. The video is here.

Preorder the first Morningstar Agency book!

Read the first chapter here.

The book is currently no.1 on the Top new releases on the Flipkart homepage. The book page is here.

It’s fun. Promise.

And the Facebook group is here.

Update:

Just adding a few more sites where online ordering is possible:

Indiaplaza

Odyssey 360

Friendsofbooks

Bookvook

NBCIndia

Untouchable is out. The comic, that is.

I’ve been waiting for this for many months. Untouchable, the comic I co-wrote with Mike Carey, is now out. Don’t know if there’ll be a print edition, but the digital version is out on Scribd, here.

So relieved. Now I can gloat about there being actual evidence of my having worked with Mike-who apart from being one of the writers I admire most ( and if you haven’t read Lucifer, his X-Men: Legacy run, his Felix Castor books, his current and brilliant series The Unwritten, hell, all his work, please do so at once) is just incredible to collaborate with, and bizarrely nice for someone so successful. All rights to Untouchable are with Liquid Comics, but the bragging rights here are totally mine.

Go read. Hope you like.

Update: Turns out only the preview is readable, the first five pages. Don’t bother clicking the download link unless you’re in the US. It’s downloadable only there. Makes no sense, of course, but there you have it. This is that point where I’d offer the rest of you free copies, but I have none myself. If I hear of it being downloadable for the rest of the world, I’ll update again.

Terror on the Titanic cover

So, this is my first YA novel, out in June from Scholastic. Turbulence is out from Hachette in October. More info on Terror on the Titanic and the Morningstar Agency series closer to publication date. It’s going to be a fun year.
Cover design is by the supertalented Priya  Kuriyan.

How the years speed by

I finished my first book almost exactly eight years ago. Don’t remember the date, but it was in April 2002. I’m about a week away from finishing my fifth, my first young adult novel. That, plus about fifteen issues of comics, twelve short stories or so, two screenplays sold but as yet unproduced, a couple of newspaper columns, a bunch of articles, and some TV work no one knows about; that’s where the years went. If you’ve read any of this, and decided to stick around, thank you.

One happy fanboy


(Pic: Alastair Hagger)

When I started writing Simoqin way back in 2001, I had this Word file called ‘Things to remember.’ There were many things to remember, chief among them excerpts from Michael Moorcock’s essay ‘Epic Pooh’ and several extracts from essays written by and interviews of that guy in the picture. And while Terry Pratchett was clearly the biggest inspiration in terms of worldbuilding, a lot of the things China’s said down the years, about monsters, about races, about stereotypes, about worlds, have all found their way into that ‘Things to Remember’ file and, eventually, into the books. Perdido Street Station and Un Lun Dun are easily two of the best books I’ve ever read, and if you haven’t read them, you really should. Once you’ve done that, you’ll also read all the other books without needing plugs from me.
So I was beyond delighted when Lit Sutra happened, and I got the chance to interview China and ask him many questions while trying to remain dignified and not beg for an autograph in front of everyone. I don’t remember ever being so nervous before an event before – not least because China clearly operates in a higher IQ zone than I do and uses words like ‘ontological’ with the kind of casual ease that I use words like ‘yeah’, but also because I wanted to, you know, learn stuff. But I think it went well.
Living and working as a writer, you often get the chance to meet really interesting writers, sometimes even great writers. But this was the first time I’d met someone who’d been a direct influence on the novels, and from whose work I plan to continue stealing many things (I already announced at the event that I thought the binjas were fair game, and that’s just the tip of the iceberg) and it was wonderful to be able to chat, to tell him he could swear as much as he liked on stage, and to thank him.
Ok. End of fanboying, back to work. Deadlines loom like kraken tentacles.

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